Brenna Rosa KwonComparative Analysis of Lady Windermere’s Fan and Private LivesSocial confinement that impedes women’s independence is prevalent in Oscar Wilde’s Lady Windermere’s Fan, in its characterization of…Jan 30, 2023Jan 30, 2023
Brenna Rosa KwonInnocence in Madness, Common Denominator in East and WestThis essay serves to delineate the connection between Kikuchi Kan’s The Madman on the Roof with William Shakespeare’s Twelfth Night and…Jan 29, 2023Jan 29, 2023
Brenna Rosa KwonWhen Puppets are Humans and Humans are PuppetsLee Yun-taek’s (Y. Lee) The Dummy Bride (1993) is constructed from the influence of previous indigenous performances, such as Lee…Jan 23, 2023Jan 23, 2023
Brenna Rosa KwonA Romance Perfected and Abled through DisabilityYou don’t get married to be happy, You get married so, you know, you have someone to share your unhappiness with. — Firefly Lane by…Sep 4, 2022Sep 4, 2022
Brenna Rosa KwonSearching for Utopia in a Dystopian RealityThe two keywords that describe the theme of Cary Joji Fukunaga’s film adaptation of Charlotte Brontë’s Jane Eyre are liberty and love…Aug 4, 2022Aug 4, 2022
Brenna Rosa KwonDoes “Love Conquer All?”The affirmation of love in Jane Eyre, when Rochester proposes to Jane, is illustrated by Fritz Eichenberg. Eichenberg’s black-and-white…Jul 29, 2022Jul 29, 2022
Brenna Rosa KwonCaliban and the Curse of LanguageRepeatedly, throughout The Tempest, Caliban is referred to by Prospero and Miranda as “my slave … a villain … [t]hou earth” (1.2.306–14)…Jun 11, 2022Jun 11, 2022
Brenna Rosa KwonOn Doctor Faustus — When Human Ambition & Vulnerability Faces Moral BinaryThis seminar paper largely argues how Faustus causes his own downfall by seeking unlimited power through magic and the supernatural…Jun 8, 2022Jun 8, 2022
Brenna Rosa KwonWitchcraft: To craft a witch in OthelloA World Where the Dead Language kills the Living HumanMay 20, 20221May 20, 20221
Brenna Rosa KwonHumanizing the ‘Human’ QuasimodoA Contemporary Analysis of Victor Hugo’s Notre Dame de ParisFeb 12, 2022Feb 12, 2022